Garry WinograndZdjęcia do albumu "Arrivals and Departures", dokumentujące życie amerykańskich lotnisk powstały na przełomie trzech dekad. Ostatnie z nich zostało zrobione w roku 1983, na kilka miesiecy przed śmiercią fotografa. | Jay Bochner, Debra BrickerWhen Duchamp moved from Paris to New York in 1915, he was disappointed by the predominantly nature-based abstraction he observed, publicly proclaiming that American artists were too dependent on outmoded European traditions... |
Jeff KoonsJeff Koons: Pictures 1980-2002 focuses primarily on the formation and development of Koons's paintings, but, given that he considers his early sculptures to be "three-dimensional paintings," this limit need hardly be considered medium-restrictive. | Joel SternfeldOriginally published in 1987, Joel Sternfeld’s now-classic view of America is here remastered, redesigned, and reprinted at a larger, brighter, truer scale. |
Lee FriedlanderIn 1994, suffering from aching knees and painfully concerned about it, Lee Friedlander decided to prepare himself for a sedentary life. He began to pursue the still life as a possibility and maybe a way of photographic life... | Lola Alvarez Bravo Lola Alvarez Bravo explored her calling through photojournalism, commercial work and professional portrait-making, even as she was creating intensely personal images of people, places and things throughout her native Mexico. |
Manuel Alvarez BravoFrida Kahlo leans against a concrete wall, looking somberly down while an ankle-length skirt flutters around her. Elsewhere, the tight screws of plough blades stack interlocked on a warehouse floor, utilitarian subjects... | Lucien Gauthier, Serge KakouThe travel narratives of European explorers who discovered Tahiti in the eighteenth century gave birth to the myth of a forgotten Eden. From Bougainville to Gauguin, many adventurous spirits would seek out her shores. |
Jeffrey FraenkelA meditation on the nature of photography itself, The Book of Shadows is a collection of 88 anonymous photographs spanning the twentieth century, all of which share a common “mistake“-the photographer's shadow falling into the image. | |