Here, for the first time ever, are 100 fabulous gowns from the permanent collection of the renowned Costume Institute at The Metropolitan Museum of Art, each of which is a reminder of the ways fashion reflects the broader culture that created it.

In a brilliant follow-up to 100 Dresses, published in 2010, the Costume Institute of the Metropolitan Museum once again opens the vaults of its heralded permanent collection to introduce readers to the rich diversity of shoes within its holdings.

Since its inauguration in 1932, the Whitney Biennial has showcased contemporary artistic innovation, becoming a highly anticipated event in the art world.

Alexander McQueen (1969-2010) was one of the most influential, imaginative and inspirational designers at the turn of the millennium.

In Stieglitz: A Beginning Light, Katherine Hoffman presented an account of the early years of the career of Alfred Stieglitz (1864-1946) and of his European roots.

This beautifully illustrated book is the first to examine the relationship between innovation and aesthetics as expressed by American couturiers and fashion designers from the late 1910s to the present day.

This insightful book is the first to present a comprehensive survey of the Modernist movement as it emerged in America between 1920 and 1960 in various graphic media.

This comprehensive book accompanies a major retrospective exhibition of Kertész’s work at Paris’s Jeu de Paume Museum (also visiting several other European venues including Winterthur, Berlin, and Budapest).

This collection of essays—Stern’s first—brackets the years defined by the changes in architectural thinking introduced by Robert Venturi in 1966 and the exhibition Deconstructivist Architecture at the Museum of Modern Art in 1988.

This beautifully illustrated book presents nearly 70 Balenciaga creations for day and evening, along with 25 hats, from the extraordinary archives of the Texas Fashion Collection of the University of North Texas.

Beaton: Portraits is an exciting and comprehensive look at a tour-de-force photographer and is an essential book for anyone interested in photography, fashion, or twentieth-century style and design.

The book's title invokes the subtle irony and subversive techniques adopted by this new generation of artists in their rebellion against the kawaii, or "cute," aesthetic of mainstream Japanese culture.

“If good design tells the truth,” writes Robert Grudin in this path-breaking book on esthetics and authority, “poor design tells a lie, a lie usually related . . . to the getting or abusing of power.”

'If good design tells the truth', writes Robert Grudin in this path-breaking book on aesthetics and authority, 'poor design tells a lie, a lie usually related...to the getting or abusing of power'.

Since the rise of the photographic medium in the late 19th century, people have been fascinated by the camera’s ability to record striking moments both public and private.

Over time and across cultures, shifting concepts of beauty have given rise to extraordinary fashions that constrict, enhance, minimize, or exaggerate various zones of the human body.

Fotografie Leni Sonnenfeld prezentowane były w takich publikacjach, jak New York Times, Jewish Week, Daily News, Esquire, i Hadassah Magazine. Album przedstawia historie społeczności żydowskich na całym świecie.

Recent experimental fashion has a dark side, a preoccupation with representations of death, trauma, alienation, and decay.