- A comprehensive introduction to the hugely popular Japanese school of ukiyo-e
- The
art of ukiyo-e (paintings of the floating world) originated in the city
of Edo (1603–1867, now Tokyo) and reflects not only the contemporary
passion for theatre, restaurants, teahouses and geisha, but also Japan's
deep love of nature and tradition
- With contributions by
Western and Japanese scholars, this book provides a fascinating and
scholarly study of such masters as Hokusai, Hiroshige and Utamaro
- Includes over 600 works depicting subjects from kabuki actors and tales of courtship to landscapes and erotica
- New into paperback, this excellent resource for scholars and general readers is now available at an unbeatable price
In this impressive study, Gian Carlo Calza examines images of the
floating world (ukiyo-e) found in paintings, screens, illustrated books
and, above all, the numerous woodblock prints that nineteenth-century
French artists were to find so influential. Through six essays and six
catalogue sections this book provides a fascinating and thorough
introduction to the very best works of this period.
The essays supply detailed background information on the history, techniques and development of ukiyo-e and
the plate section has been arranged to reflect the six great themes of
the floating world - theatre, tradition, nature, landscape, town life
and feminine beauty - developed by the artists to satisfy the demands
and tastes of their customers. Within each section, works have been
arranged in chronological order and according to the various schools.
These
remarkable images illustrate the tastes, habits and passions of the
people of Edo: fashionable scenes set in the nightless city of
Yoshiwara, festive excursions to admire cherry blossoms or maple leaves,
parties in sailing boats and firework displays. A great number are, in
fact, precious posters promoting kabuki actors and performances. Almost
as theatrical, courtesans and geisha were also an important part of life
and art in Edo, and ukiyo-e artists interpreted them as the ultimate
symbol of female beauty and elegance.
In addition to illustrating
feminine beauty, almost all the artists of the floating world created
erotic works (shunga), since their popularity provided an important part
of the artists' income. Included here are many great masterpieces, such
as Utamaro's exquisite Pillow Book. Ultimately, the art of the
floating world not only met the tastes and passions of the new urban
classes, but also continued many classical themes from Japanese art and
literature.
This most elegant publication presents a
comprehensive survey of ukiyo-e artists and their works, providing a
fascinating resource for scholars and general readers alike.
