Ansel Easton Adams (ur. 20 lutego 1902 w San Francisco, zm. 22 kwietnia 1984), amerykański fotograf, z wykształcenia pianista.
Zasłynął czarno-białymi fotografiami parków narodowych oraz jako autor wielu książek, takze podręczników o fotografii, w tym trylogii techniki fotograficznej (The Camera, The Negative i The Print). Wspólnie z innymi mistrzami fotografii, takimi jak Edward Weston, Willard Van Dyke, Imogen Cunningham i innymi był współzałożycielem fotograficznego stowarzyszenia Group f/64. Pierwsze zdjęcia wykonał w Yosemite National Park w Kalifornii w 1916.
Ansel Adams jest autorem systemu strefowego, technika która pozwala fotografom na przełożenie światła widzianego na konkretne odcienie na negatywie i papierze, w ten sposób dając im większą kontrolę nad fotografią. Fotograf był również pionierem wizualizacji gotowej odbitki opartej na pomiarach światła podczas fotografowani, którą często nazywał 'prewizualizacją'.
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A selection of breathtaking images of the American landscape fills this lavishly produced volume.
In 1941 Ansel Adams was hired by the United States Department of the Interior to photograph America's national parks for a series of murals that would celebrate the country's natural heritage. Because of the escalation of World War II, the project was suspended after less than a year, but not before Adams had produced this group of breathtaking images, which illustrate both his early innovations and the shape of his later, legendary career as America's foremost landscape photographer.
The invitation to photograph the nation's parklands was the perfect assignment for Adams, as it allowed him to express his deepest convictions as artist, conservationist, and citizen. These stunning photographs of the natural geysers and terraces in Yellowstone, the rocks and ravines in the Grand Canyon, the winding rivers and majestic mountains in Glacier and Grand Teton national parks, the mysterious Carlsbad Caverns, the architecture of ancient Indian villages, and many other evocative views of the American West demonstrate the genius of Adams' technical and aesthetic inventiveness.
In these glorious, seminal images we see the inspired reverence for the wilderness that has made Ansel Adams' work an enduring influence on the intertwining spirits of art and environmentalism, both so necessary for the preservation of our natural world.
One of the most prolific and highly acclaimed photographers of the twentieth century, Ansel Adams (1902-1984) is the author of more than a dozen books. He helped establish the department of photography at New York's Museum of Modern Art and founded The Friends of Photography in Carmel, California, and the Center for Creative Photography at the University of Arizona in Tucson. A member of the board of directors of the Sierra Club for thirty-seven years, Adams was instrumental in the growth of the American conservationist movement.
