In November 1991 Robert Frank was invited to Beirut on a commission to photograph the devastated downtown of the city following the end of the Lebanese civil war (1975-1990).

Robert Frank’s father, Henry (1890–1976), was a keen amateur photographer. Father Photographer makes public for the first time a selection of Henry Frank’s photographs including landscapes, family portraits, still-lifes and cityscapes.

Album London/Wales, Roberta Franka to okres rozwoju w ktorym fotograf przestawil sie z tworczego romantyzmu na metaforyczny realizm. Fotografie z Londynu i Walii zbudowaly podwaliny pod jeden z najwiekszych projektow fotograficznych, The Americans.

Published to accompany a major exhibition at the National Gallery of Art, the San Francisco Museum of Modern Art, and the Metropolitan Museum of Art, Looking In: Robert Frank's “The Americans” celebrates the fiftieth anniversary of this prescient book.

Published to accompany a major exhibition at the National Gallery of Art, the San Francisco Museum of Modern Art, and the Metropolitan Museum of Art, Looking In: Robert Frank's “The Americans” celebrates the fiftieth anniversary of this prescient book.

Album Peru Roberta Frank to bardzo wazna pozycja w tworczosci artysty i w historii Fotografii. Pierwsze kompletne dzielo wybitnego szwajcarskiego fotografa jest bardzo poetyckie a wrecz romantyczne w swojej formie.

In the fall of 1952 Robert Frank made three identical copies of Black White and Things. The 34 photos were taken between 1948 and 1952 in various countries.

This previously unpublished book includes stills and dialogue from Me and My Brother, together with a DVD of the re-edited 85 minute film.

New York to Nova Scotia was originally published in 1986 to accompany a retrospective exhibition of the same name organized by the Museum of Fine Arts, Houston, and has long been out of print.

Paris is the first time that the significant body of photographs which Robert Frank made in Paris in the early 1950s have been brought together in a single book.

Zbiór 40 zdjęć, wśród których można znaleźć zarówno wczesne prace Roberta Franka, jak również fotografie innych artystów, które Robert Frank retuszował.

Pull My Daisy is a 1959 short film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of a stage play he never finished entitled Beat Generation.

After completing The Americans in 1958, Robert Frank put aside the single image and concentrated throughout the 1960s on film-making. He only returned to still-photographs in the 1970s, using a Polaroid camera with black-and-white positive/negative film.

Tal Uf Tal Ab is a book of new photographs by Robert Frank. Frank’s subjects are his life now, an inquisitive existence shaped by memory: newsstands, streetscapes, portraits of friends and his wife June Leaf, interiors, a self-portrait.

Originally published “for the fun of it” in 1963 and dedicated to the American bookseller, the book was intended as a present for customers yet it never reached the book market.

"The Americans" Roberta Franka uznawany jest za najbardziej wpływowy projekt fotograficzny XX wieku. Album wydawnictwa Steidl.