Including over 500 photographs grouped by series, and an incisive essay by Peter Galassi, Chief Curator of Photography at The Museum of Modern Art, this publication is the most comprehensive review of Lee Friedlander's career to date.

Lee Friedlander, the maniacally inclusive but blessedly nonchalant cataloguer of Americana — monuments, jazz musicians, and urban landscapes — presents here 16 years of Americans at work.

This series of photographs by the inestimable Lee Friedlander will certainly delight with its beauty; it may also surprise with its warmth, and its sense of immortality.

In 1994, suffering from aching knees and painfully concerned about it, Lee Friedlander decided to prepare himself for a sedentary life. He began to pursue the still life as a possibility and maybe a way of photographic life...

Witness Number 6 provides a portrait – in 157 photographs by Lee Friedlander, and accompanying essay by Maria Friedlander – of the sculptor Raoul Hague.

Lee Friedlander's surreal sensibility is on full display in this set of photographs, originally published in 1970. Here Friedlander focuses on the role of his own physical presence in his images.