A wife is suspended in a bird cage; a thirteenth-century visionary senses the foreskin of Christ on her tongue: Fleur Jaeggy's gothic imagination knows no limits. In this, her long-awaited return, we read of an 'eerie maleficent calm, a brutal calm', and
A wife is suspended in a bird cage; a thirteenth-century visionary senses the foreskin of Christ on her tongue: Fleur Jaeggy's gothic imagination knows no limits. In this, her long-awaited return, we read of an 'eerie maleficent calm, a brutal calm', and recognise the timbre of a writer for whom a paradoxical world seethes with quiet violence.
