Picasso Portraits

From first to last, Picasso's prime subject was the human figure and portraiture remained a favourite genre

129,00 zł

incl. VAT / szt.

Express checkout 1-Click(without registration)

niedostępny

14 days for easy returns

This product is not available in a stationary store

Safe shopping

Deferred Payments. Buy now, pay in 30 days, if you don't return it

Buy now, pay later - 4 steps

When choosing a payment method, select PayPo.

PayPo will pay your bill in the store.
On the PayPo website, verify your information and enter your social security number.

After receiving your purchase, you decide what suits you and what doesn't. You can return part or all of your order - then the amount payable to PayPo will also be reduced.

Within 30 days of purchase, you pay PayPo for your purchases at no additional cost. If you wish, you spread your payment over installments.

From first to last, Picasso's prime subject was the human figure and portraiture remained a favourite genre. His earliest portraits were done from life and reveal a precocious ability to catch likeness and suggest character and state of mind. B y 1900 Picasso was producing portraits of astonishing variety and thereafter they reflected the full range of his innovative styles - symbolist, cubist, neoclassica l, surrealist, expressionist. B ut however extreme his departur e from representational conventions, Picasso never wholly abandoned drawing from the sitter or ceased producing portraits of classic beauty and naturalism. For all his radical originality, Picasso remained in constant dialogue with the art of the past and his portraits often alluded to canonical masterpieces, chosen for their appropriateness to the looks and personality of his subject. Treating favourite Old Masters as indecorously as his intimate friends, he enjoyed caricaturing them and indulging in fant asies about their sex lives that mirrored his own obsession with the interaction of eroticism and creativity. His late suites of free ` variations ' after Velazquez's Las Meninas and Rembrandt's The Prodigal Son , both of which involve self - portraiture, allow ed him to ruminate on the complex psychological relationship of artist and sitter, and continu ities between past and present. When Picasso depicted people in his intimate circle, the nature of his bond with them inevitably influenced his interpretation. T he focus of this book is not, however, Picasso's life story but his creative process, and, although following a broadly chronological path, its chapters are structured thematically. Issues addressed in depth include Picasso's exploitation of familiar pose s and formats, his sources of inspiration and identification with favourite Old Masters, the role of caricature in his expressive conception of portraiture, the relationship between observation, memory and fantasy, critical differences between his portray al of men and women, and the motivation behind his defiance of decorum and the extreme transformation of his sitter's appearance.

Brand

National Portrait Gallery Publications

Symbol

9781855147607

Author

Elizabeth Cowling

Cover

oprawa miękka

Publisher

National Portrait Gallery Publications

Language

English

Pages

256

Format

232 x 284 x 28 mm

Do you need help? Do you have any questions?Ask a question and we'll respond promptly, publishing the most interesting questions and answers for others.

Ask a question

Picasso Portraits

Product sold out

Buy now, pay later - 4 steps